Hi, I’m Priscila (a.k.a. missspriscila) I help people fulfil their dreams by making their projects come to life.
WHY? ︎
︎︎︎ Because I believe design can help change the world towards better things and if I can help you create something that benefits a certain community or the world then what better way to spend my time!
︎︎︎ HOW? If you have a project, service, or product I can help you bring it to life.
︎︎︎ THE PROCESS: It will usually start by talking to you, figure out what your dreams are for the project, what it's the thing that makes it unique. From that, well-round research is done. Research is a crucial step in my process because it would usually lead to a breakthrough idea. Thinking outside of the box (or generic) is a big thing here. Then we move on to the creative part!
WHY? ︎
︎︎︎ Because I believe design can help change the world towards better things and if I can help you create something that benefits a certain community or the world then what better way to spend my time!
︎︎︎ HOW? If you have a project, service, or product I can help you bring it to life.
︎︎︎ THE PROCESS: It will usually start by talking to you, figure out what your dreams are for the project, what it's the thing that makes it unique. From that, well-round research is done. Research is a crucial step in my process because it would usually lead to a breakthrough idea. Thinking outside of the box (or generic) is a big thing here. Then we move on to the creative part!
As a Graphic Designer, I centre my work on Branding and Motion Graphics. Illustration is something I enjoy doing and experiment with colour and form.
Let’s work together!
EMAIL ︎︎︎ hi@priscilacasanova.com
EXHIBITIONS, WORK AND EDUCATION ︎
CURRENTLY WORKING AT THE BRANDING PEOPLE
EXHIBITIONS
︎︎︎ Can’t Win Don’t Try, (Group show), Five Miles, London 2019
︎︎︎ Primary Sources, (Group show), Chelsea College of Arts, London 2019.
︎︎︎ Synaesthesia, (Group show), Casa Frissac, Mexico 2013.
EDUCATION
︎︎︎ BA Graphic Design Communication at Chelsea College of Arts, UAL, 2019
︎︎︎ Animation Bootcamp at School of Motion, 2020
︎︎︎ Fashion History: The Evolution of Style with Amber Butchart at London College of Fashion, UAL, 2017
︎︎︎ Level 4 Diploma Foundation in Art & Design at Camberwell College of Arts, UAL, 2016
EMAIL ︎︎︎ hi@priscilacasanova.com
CURRENTLY WORKING AT THE BRANDING PEOPLE
EXHIBITIONS
︎︎︎ Can’t Win Don’t Try, (Group show), Five Miles, London 2019
︎︎︎ Primary Sources, (Group show), Chelsea College of Arts, London 2019.
︎︎︎ Synaesthesia, (Group show), Casa Frissac, Mexico 2013.
EDUCATION
︎︎︎ BA Graphic Design Communication at Chelsea College of Arts, UAL, 2019
︎︎︎ Animation Bootcamp at School of Motion, 2020
︎︎︎ Fashion History: The Evolution of Style with Amber Butchart at London College of Fashion, UAL, 2017
︎︎︎ Level 4 Diploma Foundation in Art & Design at Camberwell College of Arts, UAL, 2016
PROJECTS

















BOSTOCK PANADERIA ︎︎︎ SEE MORE
Brand Identity for a Mexican bakery, we wanted to create something new and different. After well-rounded research, it was decided to give the brand a bold image and communicate the values of the bakery which are, hand-made pastries that experiment with flavours to give new ones. Bostock offers a new style of bakery breaking away from traditional ones.
BRAND IDENTITY AND MOTION GRAPHICS






BE BETTER
Be better was a campaign about social consumption and the impact it has on the world. The mission was for the campaign to remind people how by making even the smallest changes we can reduce waste. The brand was built upon positivity, friendliness, and humour.
Show More ︎
To communicate the positivity and friendliness of the campaign a smile was incorporated onto the b respecting the guidelines of the typeface. An additional temporary website was made to announce products and give tips.
To communicate the positivity and friendliness of the campaign a smile was incorporated onto the b respecting the guidelines of the typeface. An additional temporary website was made to announce products and give tips.
CAMPAIGN BRAND IDENTITY









STUDIO MAZAAR
Studio Mazaar is a brand that will house Street Feast London and other future projects. Mazaar stands for “Modern Bazaar” based on the idea of street markets in Zanzibar. The client seeks to connect society through community projects with fresh and stand out ideas.
Show More ︎
Outcome: The visual language is clean, elegant, and modern, it seeks to communicate the union that exists when joining two shapes to create a new one, just as the brand seeks to do with their community projects. This was a Live brief for Matthew and his team Accept and Proceed.
Show More ︎
Outcome: The visual language is clean, elegant, and modern, it seeks to communicate the union that exists when joining two shapes to create a new one, just as the brand seeks to do with their community projects. This was a Live brief for Matthew and his team Accept and Proceed.
BRANDING






EDIFICACIONES EN CONDOMINIOS
I was approached by a real estate company to create a digital publication to showcase some of their properties. I also photographed their offices for the publication.
EDITORIAL





CDW 2019
For their 10th anniversary, Clerkenwell Design Week wanted to celebrate the history of Clerkenwell London area and bring its stories to life by putting vinyl prints to put along the route. The illustration aims to attract people to interact with it and share it on social media.
Show More ︎
Location: Farringdon Station: The station is known as the world’s first underground railway which was constructed using the cut and cover method. The technique involved the excavation of a trench which is then covered over with backfilled material.
At the time (the 60s) electrical machines did not existed, therefore the excavation and filling was a handmade process that was achieved with the hard work of men and tools such as a hand shovel, wheelbarrows, pick mattocks, steel and bricks
The illustration celebrates the work of the people involved in the construction of the tunnel.
Show More ︎
Location: Farringdon Station: The station is known as the world’s first underground railway which was constructed using the cut and cover method. The technique involved the excavation of a trench which is then covered over with backfilled material.
At the time (the 60s) electrical machines did not existed, therefore the excavation and filling was a handmade process that was achieved with the hard work of men and tools such as a hand shovel, wheelbarrows, pick mattocks, steel and bricks
The illustration celebrates the work of the people involved in the construction of the tunnel.
INSTALLATION AND ILLUSTRATION






ALMOST GOOD
Cover album for the song Almost Good by David Seville. To embody the feeling of the song, we approached two swing jazz dancers and asked them to danced to the song, they made a choreography using the song. Our aim was to capture the choreography in still image.
Show More ︎
After our research and going to museums, we read about conjunction astronomy, also known as the “dance of the planets”. When the planets orbit the sun, they create a pattern. Based on this idea and using the Rose diagram we captured the dancers choreography and created a pattern. The final piece was made by sewing ribbon to cardboard.
Project for Noble & Heath.
Show More ︎
After our research and going to museums, we read about conjunction astronomy, also known as the “dance of the planets”. When the planets orbit the sun, they create a pattern. Based on this idea and using the Rose diagram we captured the dancers choreography and created a pattern. The final piece was made by sewing ribbon to cardboard.
Project for Noble & Heath.
STILLS & MOVES
If you’re interested in a print, send me an email :)

All day, everyday.

Third time’s a charms.

Infinite Options.






Grids & blocks, grids & blocks.


My friend’s t-shirt is alive
Orion Carloto


Misha Nonoo ‘theo pant’

Sara Covey



The new fashion: wear a facemask : )



The Couple.






The chill chair, relax plant and cacti.


Portraits.





I want to be like Matisse.


From my travel journals: Mexican mural.







Olmec faces prints and exhibitions: Risograph prints.


Olmec feet ︎


Hackeny’s bikes.






Illustrations of artists for magazine Gnosis.
A walk on Vauxhall Bridge.
PROJECTS

















BOSTOCK PANADERIA ︎︎︎ SEE MORE
Brand Identity for a Mexican bakery, we wanted to create something new and different. After well-rounded research, it was decided to give the brand a bold image and communicate the
values of the bakery which are, hand-made pastries that experiment with flavours to give new ones. Bostock offers a new style of bakery breaking away from traditional ones.
BRAND IDENTITY AND MOTION GRAPHICS






BE BETTER
Be better was a campaign about social consumption and the impact it has on the world. The mission was for the campaign to remind people how by making even the smallest changes we can reduce waste. The brand was built upon positivity, friendliness, and humour.
To communicate the positivity and friendliness of the campaign a smile was incorporated onto the b respecting the guidelines of the typeface. An additional temporary website was made to announce products and give tips.
CAMPAIGN BRAND IDENTITY









STUDIO MAZAAR
Studio Mazaar is a brand that will house Street Feast London and other future projects. Mazaar stands for “Modern Bazaar” based on the idea of street markets in Zanzibar. The client seeks to connect society through community projects with fresh and stand out ideas.
The visual language is clean, elegant, and modern, it seeks to communicate the union that exists when joining two shapes to create a new one, just as the brand seeks to do with their community projects. This was a Live brief for Matthew and his team Accept and Proceed.
BRANDING






EDIFICACIONES EN CONDOMINIOS
I was approached by a real estate company to create a digital publication to showcase some of their properties.
I also photographed their offices for the publication.
EDITORIAL





CDW 2019
For their 10th anniversary, Clerkenwell Design Week wanted to celebrate the history of Clerkenwell, London area and bring its stories to life by putting vinyl prints to put along the route.
The illustration celebrates the work of the people involved in the construction of the tunnel and aims to attract people to interact with it and share it on social media.
Show More︎
Location: Farringdon Station: The station is known as the world’s first underground railway which was constructed using the cut and cover method. The technique involved the excavation of a trench which is then covered over with backfilled material.
At the time (the 60s) electrical machines did not existed, therefore the excavation and filling was a handmade process that was achieved with the hard work of men and tools such as a hand shovel, wheelbarrows, pick mattocks, steel and bricks
Location: Farringdon Station: The station is known as the world’s first underground railway which was constructed using the cut and cover method. The technique involved the excavation of a trench which is then covered over with backfilled material.
At the time (the 60s) electrical machines did not existed, therefore the excavation and filling was a handmade process that was achieved with the hard work of men and tools such as a hand shovel, wheelbarrows, pick mattocks, steel and bricks
INSTALLATION AND ILLUSTRATION






ALMOST GOOD
Cover album for the song Almost Good by David Seville. To embody the feeling of the song, we approached two swing jazz dancers and asked them to danced to the song, they made a choreography using the song. Our aim was to capture the choreography in still image. After our research and going to museums, we read about conjunction
astronomy also known as the “dance of the planets”. When the planets orbit the sun, they create a pattern. Based on this idea and using the Rose diagram we captured the dancers choreography and created a pattern. The final piece was made by sewing ribbon to cardboard.
Project for Noble & Heath.
Project for Noble & Heath.
ALBUM COVER